PAF : 5€
Jam session
PAF : 5€
Jam session
Autant que possible nous essayerons de placer une jam-session le vendredi soir, le moment idéal pour déstresser en fin de semaine juste avant le Week-End…
Le micro sera ouvert aux amateurs et aux autres, dans une ambiance cabaret, en utilisant le péristyle de l’Espace G. Truffaut, près du bar.
Jam-session
Jam-session.
Plus que dans d’autres genres musicaux, l’improvisation collective représente manifestement la base du blues, le plaisir d’échanger entre musiciens, d’ouvrir des voies et de pêcher des étoiles…
En général le public ne s’y trompe pas et apprécie les innovations et l’adresse de ceux qui prennent le (petit) risque de s’emparer du micro…
Ablaye Cissoko
PAF : 20€
Griot Vivant à St Louis du Sénégal, Ablaye Cissoko incarne la rencontre entre les traditions du peuple Mandingue et la création musicale contemporaine. Dans son spectacle il transmet avec finesse, grâce et intelligence les valeurs d’une tradition généreuse et chante avec sincérité le respect de l’autre. Il a collaboré avec Emmanuel Bex, François Jeanneau, Omar Pene, Randy Weston … Son récital de kora et chant est une prodigieuse démonstration de musicalité et de générosité.
Big Pete Pearson
PAF : 20€
Big Pete Pearson est né en Jamaïque en 1936. Elevé dans la tradition baptiste, il apprit le piano et travailla sa voix, chaude et puissante, avec sa grand-mère. Il s’écarta dès l’âge de 9 ans des chorales pour se produire dans les boîtes… Il se produisit avec les Jets, fondés par Blues Boy Hubbard, avec T.D. Bells et les Cadillacs.
Dans les années 60, il s’établit à Phoenix où il régna en maître dans les bars. Il enregistra avec Jimmy Knight and the Knights of Rhythm. A partir des années 70, il fonda de nombreux groupes aux noms les plus divers. Ils rassemblaient tout autant des vétérans du blues que des jeunes musiciens venant y faire leurs premières armes. Ainsi, on y trouva notamment les saxophonistes Bernard Williams, Bob Tate, Fred Robinson et Emerson Caruthers, les guitaristes T.D. Bell, Lucius Parr, Scotty Spenner et Tommy Dukes, les harmonicistes Bob Corritore, le claviériste Dr. Fish et les batteurs Elmer Scott et Delmar Stewart, pour n’en citer que quelques-uns.
Big Pete Pearson a travaillé avec les légendes du blues : Ray Charles, Muddy Waters, John Lee Hooker et bien d’autres encore.
Big Pete Pearson is Arizona’s King of the Blues. He has ruled the Phoenix blues bars since the late 1950’s. His physical stature and overwhelmingly strong voice command attention. Off stage, Pete can be found with a snifter of Christian Brothers brandy in hand as he joyously greets his many fans. He is a father figure to many local bluesmen and blueswomen who have cut their teeth playing in his band. Though highly regarded locally, Big Pete’s greatness is still one of Arizona’s best kept secrets. Today, you’ll find Big Pete backed by four of the nation’s finest young blues entertainers. Each is a master blues musician. Born in Jamaica on October 4, 1936, Big Pete landed in Phoenix by way of Austin, Texas. He was raised by his grandparents in St. John’s, a Baptist community just outside Austin. His grandfather was a minister and his grandmother ran a local mission. « I kinda got on my own at an early age and I was into music full force. I’ve always loved music, » Pete says. His grandparents arranged for piano lessons. « I despised the piano, but I took lessons anyway because it was music and I didn’t care. » He eventually learned how to play guitar and bass. « My grandma was the one who taught me to use my voice, » Pete says. She would sit me down and teach me how I should express my words. She told me, « When you hit a high note, you turn it loose…you bring it from here' »..he rubs his ample belly. He was known as L.P. Pearson in Austin and played his first gig at age 9 at the Triple J, a local beer joint. His grandparents thought he was playing guitar and singing with a spiritual group at the church. Big Pete was a regular at the juke joints on the east side of Austin such as The Victory Grill, Charlie’s Playhouse, Big Mary’s Bar & Grille, Ernie’s Chicken Shack and Sam’s Showcase. « Playing in the jukes was dangerous, dangerous, man, real dangerous, » says Pete. « But I played them anyway and those were my up days. » Pete played the three string bass with the Jets, fronted by Blues Boy Hubbard, and frequently sat in with T.D. Bell and the Cadillacs. Big Pete’s cousin is the famous W.C Clark. Pete was a major influence to his now famous cousin W.C. Clark, who said in an interview: « I had a cousin — I’ve got a cousin — Big Pete Pearson. He was my biggest influence. He was already singing the blues, and playing the blues, and he got me into it. I followed in his footsteps. He’s still going, and I am, too. » W.C. adds, « Big Pete is a man that has a lot of little boy in him and is so full of jolly. » Big Pete first came to Phoenix in the late 1950’s and settled in the mid 60’s. The late Duke Draper gave Big Pete his first gig in the desert. Big Pete went on to join and record with Jimmy Knight and the Knights of Rhythm. These vintage sides though never issued should see the light of day on a Phoenix R&B anthology that is forthcoming on the German Bear Family label. From the 1970’s on, Big Pete fronted a number of bands with a variety of names~~Driving Wheel, The Detroit Blues Band and the Blues Sevilles. His bands not only maintained Pete’s high blues stature but would be both a camp for experienced veterans and a training ground for up and comers. Band alumni include saxophonists Bernard Williams (of Dyke And The Blazers fame), Bob Tate, Fred Robinson and Emerson Carruthers, guitarist T.D. Bell, Lucius Parr, Scotty Spenner and Tommy Dukes, harmonicist Bob Corritore, keyboardist Dr. Fish and drummers Elmer Scott and Delmar Stewart, to name a few. Big Pete has worked with blue legends Ray Charles, BB King, Muddy Waters, John Lee Hooker and others.
Pour des informations complémentaires avec illustration sonore voir ABC Blues and soul : http://abcbluesandsoul.com/BigPetePEARSON.aspx
Paul Batto
PAF : 15€
Paul Batto jr.
Born in Ljubljana,Slovenia in 1967. After receiving some basic music training in Slovenia he relocated to Switzerland (1987) and spent the next ten years honing his vocal skills in a group called « ABC Gospel Singers ». Since the late 90s Paul has been living mostly in Hungary and Czech Republic and has toured other countries extensively. He has played alone, with his band (Riverside Blues, Paul Batto jr. Trio) and most recently in a duo with pianist Ondra Kriz. Although performing original material is his main focus Paul has also been sought after as a vocalist .He makes regular guest appearances with Big Bands and Jazz combos.
Recent collaborations
CZECH RADIO BIG BAND (CZECH REPUBLIC)
SFV BIG BAND (HUNGARY)
ELMAR KLUTH TRIO (SWITZERLAND)
Recent Media
National TV broadcast: concert « Reduta Jazz Club » Prague
National TV broadcast: concert « Stara Pekarna » Brno
Czech Radio Broadcast: Live w/ the Czech Radio Big Band
Bands
PAUL BATTO JR. trio
RIVERSIDE BLUES
PAUL BATTO JR. & ONDRA KRIZ (PIANO)
Records
THE RIVERSIDE BLUES (with the riverside blues band)
GONE FISHIN’ (with the riverside blues band)
I’M A GYPSY (solo)
GOSPEL (with ondra kriz on piano)
PAUL BATTO JR. SWINGS (with N.A.S BIG BAND)
AIN’T BUT ONE WAY – 2010
Countries toured
AUSTRIA, SWITZERLAND, HUNGARY, GERMANY, CZECH REPUBLIC, HOLLAND, BELGIUM, LUXEMBURG, FRANCE, DENMARK, CROATIA
What others say
« …impressed by your feel for blues and the light swinging grooves that go into these songs. Good blues by any standard – and I don’t mean just for a European ».
(Bruce Iglauer, Alligator Records – Chicago, IL)
……………………………………………………………………………………………………………………………………
« …his talent is huge! »
(Bobtje, www.bobtjeblues.com, Belgium)
…………………………………………………………………………………………………………………………………….
« …he has mastered all the nuances of blues playing. His resonant voice and dynamic guitar playing should satisfy any true blues lover »
(Music Revue, Slovakia)
…………………………………………………………………………………………………………………………………….
« …force to be reckoned with anywhere blues music is being played… »
(Richard Smerin, blues musician, UK)
……………………………………………………………………………………………………………………………………..
« …the best acoustic act we’ve ever had! »
(Michel Hofkens, Willem Tell Blues Club, Belgium)